Friday 29 March 2013

[P337.Ebook] PDF Ebook The Go Programming Language (Addison-Wesley Professional Computing Series), by Alan A. A. Donovan, Brian W. Kernighan

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The Go Programming Language (Addison-Wesley Professional Computing Series), by Alan A. A. Donovan, Brian W. Kernighan



The Go Programming Language (Addison-Wesley Professional Computing Series), by Alan A. A. Donovan, Brian W. Kernighan

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The Go Programming Language (Addison-Wesley Professional Computing Series), by Alan A. A. Donovan, Brian W. Kernighan

The Go Programming Language is the authoritative resource for any programmer who wants to learn Go. It shows how to write clear and idiomatic Go to solve real-world problems. The book does not assume prior knowledge of Go nor experience with any specific language, so you’ll find it accessible whether you’re most comfortable with JavaScript, Ruby, Python, Java, or C++.

  • The first chapter is a tutorial on the basic concepts of Go, introduced through programs for file I/O and text processing, simple graphics, and web clients and servers.
  • Early chapters cover the structural elements of Go programs: syntax, control flow, data types, and the organization of a program into packages, files, and functions. The examples illustrate many packages from the standard library and show how to create new ones of your own. Later chapters explain the package mechanism in more detail, and how to build, test, and maintain projects using the go tool.
  • The chapters on methods and interfaces introduce Go’s unconventional approach to object-oriented programming, in which methods can be declared on any type and interfaces are implicitly satisfied. They explain the key principles of encapsulation, composition, and substitutability using realistic examples.
  • Two chapters on concurrency present in-depth approaches to this increasingly important topic. The first, which covers the basic mechanisms of goroutines and channels, illustrates the style known as communicating sequential processes for which Go is renowned. The second covers more traditional aspects of concurrency with shared variables. These chapters provide a solid foundation for programmers encountering concurrency for the first time.
  • The final two chapters explore lower-level features of Go. One covers the art of metaprogramming using reflection. The other shows how to use the unsafe package to step outside the type system for special situations, and how to use the cgo tool to create Go bindings for C libraries.

The book features hundreds of interesting and practical examples of well-written Go code that cover the whole language, its most important packages, and a wide range of applications. Each chapter has exercises to test your understanding and explore extensions and alternatives. Source code is freely available for download from http://gopl.io/ and may be conveniently fetched, built, and installed using the go get command.

  • Sales Rank: #12003 in Books
  • Published on: 2015-11-05
  • Released on: 2015-11-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 7.40" l, .0 pounds
  • Binding: Paperback
  • 400 pages

About the Author

Alan A. A. Donovan is a member of Google’s Go team in New York. He holds computer science degrees from Cambridge and MIT and has been programming in industry since 1996. Since 2005, he has worked at Google on infrastructure projects and was the co-designer of its proprietary build system, Blaze. He has built many libraries and tools for static analysis of Go programs, including oracle, godoc -analysis, eg, and gorename.

Brian W. Kernighan is a professor in the Computer Science Department at Princeton University. He was a member of technical staff in the Computing Science Research Center at Bell Labs from 1969 until 2000, where he worked on languages and tools for Unix. He is the co-author of several books, including The C Programming Language, Second Edition (Prentice Hall, 1988), and The Practice of Programming (Addison-Wesley, 1999).

Most helpful customer reviews

41 of 43 people found the following review helpful.
Thorough coverage; excellent examples; but maybe not essential
By D. Golden
[Disclaimer: I was provided with a free review copy by the publisher.]

TL;DR

If you're looking to buy a comprehensive text on Go, "The Go Programming Language" is an excellent choice. But with so many free e-book introductions to Go, do you really need it? Maybe, but maybe not.

OVERVIEW

The authors "assume that you have programmed in one or more other languages" and thus "won't spell out everything as if for a total beginner". Yet the book weighs in at a hefty 380 pages (over 100 pages more than my venerable 1988 K&R 2nd edition).

Is it better than the free 50-page "Little Go Book", or the free 160-page "Introduction to Programming in Go" or even the freely-available 80-page Go Language Specification itself? Yes, certainly. But is it two or three or four times as good? I don't think so.

So is "The Go Programming Language" worth the cost to read in both dollars *and* time? It depends on how you learn, how much you already know, and whether, for you, the good parts outweigh the bad.

THE GOOD PARTS

Chapter 1 ("Tutorial") sets the stage for much of what is excellent about this book: fabulous examples. Beyond the obligatory "Hello World", it presents a quick look at several simplified "real world" examples, including command line text filtering, image generation/animation, URL fetching and serving a web page.

The rest of the book follows this same pattern. Chapters typically present several different code examples, most of which do real things rather than just consist of toy code. They include exercises (which I didn't do), that would be good for a course or for someone who learns best by doing structured exercises. The examples are enough to serve as a starting "cookbook" for many real-world tasks.

I also found the explanations of struct embedding and composition to be excellent. Some concepts gelled much better for me than they had from other texts and even from my own coding to date. I had the same experience in the chapter on concurrency with channels. I was pleased that things so idiosyncratic to Go were some of the best parts of the book.

THE BAD PARTS

Sadly, the book's coverage of the standard library is haphazard. On the one hand, the many real world code examples gave opportunities to introduce parts of the standard library naturally throughout. Unfortunately, that also means there's no comprehensive coverage of the standard library itself, which is surprising given that it's one of great strengths of the language.

The most glaring example of this ad hoc approach was finding a section on text and HTML templating oddly dropped in at the end of Chapter 4 ("Composite Types"). It was as if they really wanted to cover those packages and -- without a chapter dedicated to the standard library -- had nowhere else to put it.

As mentioned previously, the book is long and rather dense. It's not a quick read. Worse, the authors have a habit of burying important points or cautions in the middle of a wall of text and code examples. The lack of cutesy caution icons or call-out boxes for these tidbits (as would be found in more informally-styled books) really hurts skim-ability.

THE MIXED PARTS

As great as the examples were, I found some aspects disturbing. First, in some cases, implementation details were omitted from the text -- the reader is expected to download the source to see the full example. I would have preferred complete, if less ambitious, examples instead.

In other cases -- particularly in the sections on concurrency -- the examples are presented in a progression of one or more complete "wrong" examples of how not to do things before an example of the "right" way to do things. This approach is a good teaching method, but it adds substantially to the length of the text -- you have to grok a lot more code to parse out the differences between the examples.

The other interesting observation I had was that in many cases, the examples omit error handling for brevity. Since the verbosity of Go code error handling is a frequent criticism of the language, omitting it seemed somehow disingenuous.

SUMMARY

If you have the money and patience and you like deep dives and real, working examples and exercises, this book is an excellent choice. If you prefer to skim or dabble, or just want a handy reference text, there are probably better options.

9 of 9 people found the following review helpful.
Excellent book. It did what the others didn't
By Clinton Begin
I tried another Go book, before tossing it aside in favor of this one. Excellent book. It did what the others didn't: it explained "why". Go is a weird language. So if the reasoning behind the decisions is left out, then the language is hard to swallow. But with proper explanation of the reasoning, one can see the wisdom of Go and forgive some of its odd design and syntax decisions.

8 of 8 people found the following review helpful.
Only Go book you need to buy
By Varun
Every programming language has one book that become the de-facto book. C has K&R and other programming languages has their own. This book is for Go what is K&R for C. If you ever want to buy a Go programming language book, this book should be the one. I have been programming in Go from almost an year and I also find some new tricks from the book. Also I use this book as a reference when I need to brush up some concept.

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Tuesday 26 March 2013

[I976.Ebook] Get Free Ebook Revised An Introduction to Project Management, Third Edition, by Kathy Schwalbe

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Revised An Introduction to Project Management, Third Edition, by Kathy Schwalbe

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Revised An Introduction to Project Management, Third Edition, by Kathy Schwalbe

An Introduction to Project Management, Third Edition offers a general yet concise introduction to project management. This book provides up-to-date information (based on the 2008 PMBOK Guide) on how good project, program, and portfolio management can help you achieve organizational success. It includes over 50 samples of tools and techniques applied to one large project, and it is suitable for all majors, including business, engineering, healthcare, and more. This text uses a chronological approach to project management, with detailed explanations and examples for initiating, planning, executing, monitoring and controlling, and closing projects. This text includes corrections to the original third edition and a new Appendix A with a Brief Guide to Using Project 2010 (instead of Project 2007). The pagination for chapters 1-9 has not changed. It is identical to the hard copy edition. See the companion Web site at www.intropm.com for more information.

  • Sales Rank: #967341 in eBooks
  • Published on: 2011-06-06
  • Released on: 2011-06-06
  • Format: Kindle eBook

About the Author
Kathy Schwalbe is a tenured Professor at Augsburg College in Minneapolis, primarily teaching courses in project management and problem solving for business. A professional working in the industry for ten years prior to entering academia in 1991, she is currently an active member of the Project Management Institute. Kathy earned her Ph.D. at the University of Minnesota, her MBA at Northeastern University, and her B.S. in mathematics at the University of Notre Dame.

Most helpful customer reviews

4 of 4 people found the following review helpful.
excellent resource
By Julie S. Erndt
I must say this is one of the best books I have found to teach an introductory course in project management. It is flexible enough to use for both undergraduate and graduate courses. The third edition follows the latest PMBOK Guide, so it's a great resource for anyone planning to take the PMP exam. This book goes beyond just preparing students for an exam by including lots of information on "how" to perform various project management tasks. I really like the way a concept is explained and then an example is provided on how to apply that concept. There are several exercises and team projects to help reinforce student learning. There are also many real-world references showing how organizations do things right and wrong in project management, plus new xkcd cartoons to lighten things up. I applaud the author for self-publishing this third edition after Cengage decided not to update it. Yes, there are dozens of introductory project management books on the market, but this one is comprehensive, easy-to-read, includes a great free Web site with templates, interactive quizzes, Jeopardy-like games, etc., plus the price is right! Why should we make our students spend over $100 on a dry textbook when they can get this one and actually read it for under $60? The new appendices with guides to using Project 2007 and @task (the leading web-based PM software) are excellent. The instructor materials are also outstanding, and the author is very responsive to instructor inputs. I highly recommend this book.

4 of 4 people found the following review helpful.
best book for teaching introductory project managment
By Julie S. Erndt
I must say this is one of the best books I have found to teach an introductory course in project management. It is flexible enough to use for both undergraduate and graduate courses. The third edition follows the latest PMBOK Guide, so it's a great resource for anyone planning to take the PMP exam. This book goes beyond just preparing students for an exam by including lots of information on "how" to perform various project management tasks. I really like the way a concept is explained and then an example is provided on how to apply that concept. There are several exercises and team projects to help reinforce student learning. There are also many real-world references showing how organizations do things right and wrong in project management, plus new xkcd cartoons to lighten things up. I applaud the author for self-publishing this third edition after Cengage decided not to update it. Yes, there are dozens of introductory project management books on the market, but this one is comprehensive, easy-to-read, includes a great free Web site with templates, interactive quizzes, Jeopardy-like games, etc., plus the price is right! Why should we make our students spend over $100 on a dry textbook when they can get this one and actually read it for under $60? The new appendices with guides to using Project 2010 and @task (the leading web-based PM software) are excellent. The instructor materials are also outstanding, and the author is very responsive to instructor inputs. I highly recommend this book.

2 of 2 people found the following review helpful.
Disappoints in several areas
By Mike B of Syd
I don't normally evaluate a book (especially a 'text book') on aesthetics - but in this instance I will. It's ugly. From poorly designed cover through to textual layout that detracts from the structure of the content rather than enhances it, this is one of the most unappealing books I've seen. However, as most won't be too concerned with this as a problem I won't go into the detailed examples.

Quality: p.246 "Error! Bookmark not defined" How does that end up in a published text? There were proof-readers? Perhaps not. P.319: Question: Which knowledge areas include tasks related to monitoring and controlling? Answer: All of them! Well, not quite.

100 pages of this is related to software usage - not quite value unless you want to use both MS Project and @Task and you have little experience with either.

Questions related to 'Alpha Project Managers' isn't appropriate in a publication of this type. While explained earlier in the publication as related to a single text, the content of metrics is repeated in the book and then the Q&A asks the reader about 'Alpha Project Managers'. I don't think jargon is appropriate.

P.353 - I suppose you can reference Wikipedia if you wish to establish a definition. Nasty for instructors when students start to query the authors ability to do so when they aren't entitled in their own papers.

However, I will be positive and indicate:

This is a readable text (at least at the level of the incremental detail.) It offers a lot of additional online instructor content (of value if you wish to use this text as the basis for a course. Much less so if you don't.)

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Thursday 21 March 2013

[F329.Ebook] Download Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture, by Steven T. Brown

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Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture, by Steven T. Brown

Engaging some of the most canonical and thought-provoking anime, manga, and science fiction films, Tokyo Cyberpunk offers insightful analysis of Japanese visual culture. Steven T. Brown draws new conclusions about the cultural flow of art, as well as important technological issues of the day.

  • Sales Rank: #439053 in Books
  • Published on: 2010-07-15
  • Released on: 2010-08-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .56" w x 6.00" l, .85 pounds
  • Binding: Paperback
  • 256 pages

Review

"Brown makes a highly important contribution to Japanese visual studies as a whole . . . An enjoyable and eminently readable text . . . It will be very much at home in Japanese studies courses focused on film, anime, and popular culture, as well as film and cultural studies courses focused on science fiction, technology, and posthumanism." - The Journal of Asian Studies

"It should prove of use to specialists in film studies and Japanese culture . . . Recommended." - CHOICE

"A welcome exploration of science fiction within 'Japanese visual culture' . . . Tokyo Cyberpunk is an exciting study that is at its best when it considers the transcultural theoretical value of Japanese visual culture. Its detailed bibliography makes it ideal for university library collections, as well as for teachers and researchers who are interested in the expansion and further complication of the existing work on sf, transnational cultural studies, and critical posthumanism." - Science Fiction Studies

"Tokyo Cyberpunk is hugely inspiring, precisely for the liberating effects of Brown's stance - which runs counter to the totalitarian, monolithic approach of most (or virtually all) film studies, be they historical or monographic. To anyone who has ever felt the slightest sense of amazement at Akira's epic post-apocalyptic visions, the merest excitement at Tetsuo's metallic mutations, or seen a glint of wonder reflected off a gynoid's glistening frame, this is a book that will make the synapses work overtime, providing total recall of that original moment and amplifying it a thousandfold. To anyone with the slightest interest in the power and potential of science fiction, Tokyo Cyberpunk is essential reading." - Tom Mes, MidnightEye.com

"Tokyo Cyberpunk is one of the best works I have ever read on Japanese popular culture. In fact, I would place it as one of the best works on recent popular culture in general that I have read. The topics are fascinating, important, and wide ranging. The analysis is thorough, imaginative, and sophisticated without being over-jargonated and unapproachable. The book is a genuine pleasure to read - stimulating, informative and even eye-opening at particular moments, when the author works through a wide and sometimes seemingly disparate variety of sources to open up a particular icon of cyberpunk (or should I say simply 'contemporary'?) culture." - Susan Napier, Professor of Japanese Studies, Tufts University and author of From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West

"Strikingly original in its conception, Tokyo Cyberpunk engages with critical rigor and artistic insight some of the most challenging Japanese live-action and animated films that interrogate the contours of an increasingly technologized humanity. Brown pushes his analyses past usual domestic readings into new transnational matrixes of meaning. Tsukamoto Shinya's cyberpunk classic Tetsuo: The Iron Man is recast in productive relationships within a globalized media environment that includes Fritz Lang's Metropolis and David Cronenberg's Videodrome in a way that compels us to watch all of these films (again) with deeper understanding and appreciation; Oshii Mamoru's Ghost in the Shell 2: Innocence is unpacked within a transnational grammar and dialogue of the posthuman from the dolls of Hans Bellmer to the cyborgs of Donna Haraway while Brown's treatment of Oshii's often overlooked Avalon opens up penetrating and timely discussions on the differences between analog and digital film and diminishing border between live-action versus anime. Informed but not overburdened by critical theory and committed to a transnational frame without ignoring local social contexts,Tokyo Cyberpunkpropels the reader on new lines of flight through contemporary Japanese visual media that peers just over the edge of our present." - Gerald Figal, Associate Professor of History and East Asian Studies, Vanderbilt University and author of Civilization and Monsters: Spirits of Modernity in Meiji Japan

About the Author
STEVEN T. BROWN is�a Professor of Japanese and Comparative Film & Popular�Culture at the University of Oregon, USA.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Eyeopening and thoughtful study on some of Japan's most provocative contemporary media.
By Capt. Cos
Tokyo Cyberpunk is a thought provoking and extremely well researched text that explores not only themes of posthumanism in contemporary Japanese visual culture, but also carefully reveals how these themes are linked in a larger network of ideas and imagery. In addition to intricate implementation of philosophy and critical theory--from Deleuze and Guattari to Donna Haraway, from Nietzsche to Freud--Brown provides thorough descriptions of the film and anime texts with nuanced analysis. To do so, the author takes a "rhizomatic" approach, meaning that he explores the texts in relation to other texts, finding the common ground and compatible ideas in distinct media as they impact and borrow from each other. In this way, Brown reveals meanings in not just individual texts, but ideas between texts: recurrent and developing ideas across cultures and time.

This approach makes the text accessible in two important and distinct ways.

First, Tokyo Cyberpunk will be interesting for readers who have backgrounds in critical theory and philosophy, but are perhaps not familiar with Japanese culture and media (or even world cinema). The very detailed description of plots and accompanying scene analysis allows readers to engage with the applied ideas without a precondition of specific media and cultural literacy. Moreover, since Brown draws on extensive and diverse examples--from 17th century Japanese puppet plays to Fritz Lang's Metropolis, from the films of David Cronenberg to the current hikkikomori phenomenon, from the sculptures and photographs of Hans Bellmer to reinterpretations of the Avalon myth of Arthurian legend--he opens up application of theory to diversity, encouraging the reader to draw from their own arsenal of visual examples, whatever their background. The rhizomatic method prompts readers to also join in and say, "oh, this is also like xyz" from their own experience.

Second, although the seemingly heavy list of notoriously difficult theorists Brown employs (e.g. Deleuze, Nietzsche, Derrida, Descartes) might seem formidable to readers coming to Tokyo Cyberpunk from a background in Japanese pop culture, the author is also careful to use the theory in an approachable way. Inevitably, the book will, and should, attract readers with a primary interest in Japanese film and anime. Although the more theoretical sections of the text are dense, pop culture enthusiasts should not be afraid to take the plunge. Just as Tokyo Cyberpunk encourages academics of the lit crit crowd to explore visual culture, Brown's rhizomatic reading will prompt interest in larger philosophical ideas and thought perhaps previously unknown to the casual fan.

Readers from both camps could also take the rhizomatic path (paths?) as I did and read Tokyo Cyberpunk not just for the ideas and images in the book, but as a jumping off point to explore other texts and ideas beyond, but similar to, the text in their hands.

1 of 1 people found the following review helpful.
Informative, Exciting, and Inspiring
By Amazon Customer
After reading this book, I must say that I am extremely impressed with how it was easy to understand, read and stay interested in it. It isn't every day that I find a book like this and find that I am having a very hard time putting it down. It had its rocky parts but even those had extremely interesting and very fascinating information laced throughout them. I can see that with the knowledge of Tokyo cyberpunk, as a genre, one can probably not look at a doll on the shelf of a toy store the same ever again and maybe even not view the technology that we use day in and day out the same as well. Look at our campus, for example: we make everything very technological these days including not handing out syllabi by hand anymore. Instead, professors will simply upload it to the Internet for the students to find. Technology is all around us, in our lives and in some human beings, inside of our bodies (example: pacemakers). Perhaps Professor Brown is right - we all have a little cyborg in all of us.

2 of 8 people found the following review helpful.
Table of Contents
By Steven T. Brown
Tokyo Cyberpunk's table of contents is as follows:

Introduction: Posthumanism after _AKIRA_

Part I: Machinic Desires: Hans Bellmer's Dolls and the Technological Uncanny in _Ghost in the Shell 2: Innocence_

Part II: Desiring Machines: Biomechanoid Eros and Other Techno-Fetishes in _Tetsuo: The Iron Man_ and Its Precursors

Part III: Consensual Hallucinations and the Phantoms of Electronic Presence in _Kairo_ and _Avalon_

Conclusion: Software in a Body: Critical Posthumanism and _Serial Experiments Lain_

Notes, Bibliography, Index

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Monday 18 March 2013

[X483.Ebook] PDF Ebook Tennessee Student Edition (Prentice Hall United States History Reconstruction to the Present), by Lapansky-Werner, Levy, Roberts, Taylor

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Tennessee Student Edition (Prentice Hall United States History Reconstruction to the Present)

  • Sales Rank: #2057033 in Books
  • Published on: 2009
  • Binding: Hardcover

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Wednesday 6 March 2013

[U163.Ebook] Download PDF Muay Thai Fighting Strategies, by Jerry Heines, Amorndet Ranjanthuek

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Muay Thai Fighting Strategies, by Jerry Heines, Amorndet Ranjanthuek

In Muay Thai Fighting Strategies, Jerry Heines and Kru Amorndet Ranjanthuek teach you how to develop the advanced fighting skills and mental toughness necessary to win in the ring and excel in the gym. Muay Thai Fighting Strategies continues where Muay Thai: Beyond the Basics left off, building on the sparring techniques and strategies introduced. Learn how to deal with a wide variety of fighting styles and tactics including an opponent who counterattacks, fights from a Southpaw stance, keeps a tight guard, rushes you, leans back to escape your punches, holds you at bay with his lead hand or grabs your kicks. You'll also learn how to manage your diet for competition and training, scientifically track your training progress, identify your strengths and weaknesses, and practice advanced relaxation techniques to improve speed and power. Most importantly, the authors identify the techniques and targets most likely to cause a knockout in the ring.

  • Sales Rank: #2938557 in Books
  • Brand: Brand: Turtle Press
  • Published on: 2012-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.02" h x .32" w x 8.50" l, .79 pounds
  • Binding: Paperback
  • 148 pages
Features
  • Used Book in Good Condition

About the Author
JERRY HEINES, PhD received his PhD in Theoretical High Energy Particle Physics from the University of Connecticut in 1979. During his years as a graduate student he pursued his interest in Martial Arts with the practice of Taekwondo and Judo. He since left the sport of Taekwondo to pursue his interest in Muay Thai primarily training at the Fairtex gyms. He has also worked as a stunt actor in several major television series such as Spencer for Hire by Robert Parker as well as others. As a SAG member, Jerry has also worked as an actor in several major motion pictures. Better known by his opponents in the ring, students and friends as Ahn The Angel Fairtex, Amorndet Ranjanthuek began his training in Muay Thai at the age of 8. He had his first fight at the age of eight as well and by the time he was twelve years old, he had accumulated a sufficient number of wins to be invited to train at the Fairtex Muay Thai gym in Bangplee, Thailand. At the age of fourteen, Mr. Anh had the privilege to fight at Adsorn Stadium where he won the title belt. Later that year, he became the top fighter in Thailand at the age of 14 in the 30kg weight division. Mr. Anh continued to fight for Fairtex Muay Thai, with the name Pon Fairtex, as he trained under Ajarn Apidej Sit-Hirun and Ajarn Monlit Sitpordaeng. Among his major accomplishments was winning by decision, an exciting and close match with the number 1 fighter in Southern Thailand at the time and Rajadamnern Stadium Champion, Mr. Sing Sampan. When Mr. Anh finally retired from the ring, he had 245 professional fights to his credit, fighting twice in one night on numerous occasions.

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0 of 0 people found the following review helpful.
If you are training in this art or are interested in Muay Thai you should check out this book.
By Joseph J. Truncale
I have always has an enormous respect for American boxing and Muay Thai (Thai Kickboxing). In my more than 50 years of martial arts study I have been a student and instructor of many combat arts (Judo, Jujitsu, Karate-Do, Wrestling, Boxing, Kickboxing, combatives and Police tactics). The first book by these authors was Explosive Muay Thai: Beyond the basics. This is a companion text (Muay Thai Fighting Strategies by Jerry Heines with Kru Amorndet Ranjanthuek) and it covers more advanced material on the Muay Thai fighting art.

This 146 page text is organized into seven areas. They are as follows: The first section explains the value of Muay Thai training, which includes a brief history. The second section provides information on physical training. Diet and nutrition factors are explored in section three. The fourth section has a detailed explanation of the importance of mental training. The fifth section deals with a topic of importance for any combat activity which is training how to be more relaxed while fighting. Section six shows the targets for competition. The final and longest section goes into great detail on Muay Thai sparring.

Though the information in this book can stand alone; nevertheless, if you are seeking a more complete understanding of Muay Thai you should probably read both books by these authors. One last point. When it comes to any psychomotor skill the best results are obtained when you combine the information in the book with actual hands-on training with an instructor.

Rating: 5 Stars. Joseph J. Truncale (Author: Martial Art Myths).

0 of 1 people found the following review helpful.
Two Stars
By Robert P.
poor pictures...poor everything

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Monday 4 March 2013

[L578.Ebook] Free Ebook The Harvest Man, by Alex Grecian

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The Harvest Man, by Alex Grecian

Alongside Jack the Ripper there is another brutal serial killer roaming the streets of Victorian London....

Spring, 1890. The spectre of Jack the Ripper still haunts Inspector Walter Day; he alone is convinced that the Ripper remains at large. But now a new killer is terrorising the citizens of London. They call him the Harvest Man; he hides away in the attics of the unsuspecting, emerging at night to terrorise his victims.

This macabre new threat requires Inspector Day to confront his demons, but he soon discovers the game has only just begun....

  • Sales Rank: #164574 in Audible
  • Published on: 2015-09-17
  • Released on: 2015-09-17
  • Format: Unabridged
  • Original language: English
  • Running time: 596 minutes

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10 of 10 people found the following review helpful.
An Excellent Historical Fiction Thriller
By knittingmom
The Harvest Man by Alex Grecian is the fourth in his Scotland Yard’s Murder Squad series and the fourth I have read, each one improves upon the last, and yet I do feel the books can be read independent from each other, however I recommend reading them in order for the maximum effect. The Harvest Man takes place in 1890s London and picks up where The Devil’s Workshop left off, for the most part, Ripper is back, but a second murder is on the loose who is worse than Jack the Ripper, known as the Harvest Man. Inspector Day and his ex-partner Sergeant Hammersmith are currently living very different lives. Inspector Day has new twin babies, in-laws that will not leave, and has been assigned desk duty while his leg injury heals. As for Day’s ex-partner, Hammersmith, he was let go from the Yard, but has not given up his pursuit of Ripper and free from the Yard’s restrictions he strays further outside of the law to find Ripper. As for Inspector Day, he is finally allowed into the field when couples are found dead with their faces carved off by a murderer, dubbed the Harvest Man, he becomes the Yard’s central focus, meanwhile Ripper is playing a cat and mouse game with both Day and Hammersmith and the stakes have never been higher. Of the four books in the series, The Harvest Man is by far my favorite, it is the most suspenseful and the most enjoyable, even with rather grotesque murder scenes, the reader is given a deeper insight into the lives of Day and Hammersmith. Grecian’s writing is in top form, the deeply atmospheric book is rich in historical detail as well as filled with intense plotlines, deplorable murders, intriguing characters, family situations interspersed throughout the book, and the thrill level will keep the reader turning the pages. I would recommend The Harvest Man to anyone who enjoys historical thrillers and especially fans of Grecian’s previous books.

16 of 18 people found the following review helpful.
A New Killer in 1890s London
By P. Bigelow
“The Harvest Man” is the fourth in Alex Grecian’s Scotland Yard’s Murder Squad series.

In this outing, the Murder Squad is still reeling from their encounters with Jack the Ripper. Detective Inspector Walter Day is recovering from a leg wound while his partner, Nevil Hammersmith has left Scotland Yard “for his own good” because he can’t let go of his obsession with the Ripper. But they both aren’t prepared for who is skulking around London to join the Ripper in terrorizing 1890s London. The new killer, nicknamed The Harvest Man, uses ether to subdue married couples. He then removes their faces because he knows that beneath their faces he will find his parents.

I agree with the other readers that Grecian does not do a good job of introducing readers new to his series to his two main characters. Trying to figure out the relationship between the players is next to impossible.

For those of you who do not care for very graphic violence should not pick this book up. Grecian’s penchant for graphic violence is not unique to “The Harvest Man.” His previous outing “The Devil’s Workshop” also described the killer’s violence against his victims in detail.

I will have to think long and hard about picking up Grecian’s next book. I prefer my mysteries to be more cerebral, like Louise Penny’s awesome Armand Gamache series and Charles Todd’s excellent Ian Rutledge series.

9 of 9 people found the following review helpful.
"This is a seriously deranged individual."
By E. Bukowsky
Alex Grecian's fourth Scotland Yard Murder Squad thriller is as suspenseful and absorbing as its predecessors. You would do well to read the books in order, as each picks up where the previous one leaves off. In "The Harvest Man," Detective Inspector Walter Day once again faces the malevolent Jack the Ripper, who is too clever to be caught by the plodding detectives on his trail. In addition, Day and his colleagues (assisted unofficially by former sergeant Nevil Hammersmith) are trying to apprehend the Harvest Man, a diminutive and deranged man whose psychosis harks back to a tormented childhood.

This powerful work of historical fiction takes place in London in 1890. Day and Hammersmith are still nursing the terrible wounds inflicted on them in "The Devil's Workshop." Still, neither is willing to give up doing what he loves best--bringing killers to justice. Grecian gives his heroes formidable challenges in this outing, and adds an extra dimension by showing how their personal lives have changed. Day is the father of twins, his in-laws have moved in and are trying to control his life, and he is becoming increasingly dependent on alcohol to get through the day. Meanwhile, Nevil has been dismissed from the force and appears more slovenly than ever. Other familiar figures are the forensic specialist, Dr. Kingsley; his talented daughter, Fiona; and Claire, Walter's lovely wife and the mother of their adorable baby daughters.

The author never misses a beat, as he expertly juggles a host of plots and subplots as well as a large cast of characters--villains, innocent victims, witnesses, law enforcement officials, and an underworld figure who provides information about the brutal slaying of three ladies of the night. There is so much going on here that this novel could have easily descended into chaos. Fortunately, Grecian's measured, lucid, and evocative prose; crisp dialogue; and impressive ability to keep his well-constructed story on track mesmerize us and draw us along quickly. We empathize with two youngsters left orphaned by a murderous fiend, and feel sympathy for the lovelorn Fiona, whose admiration for Nevil is unrequited. Furthermore, we wonder whether Claire and Walter can stand up to her overbearing parents, and fret about poor Nevil, who is quickly going through his meager savings.

There is a great deal of gore, counterbalanced by delightfully humorous passages. Grecian uses irony to good effect by inserting the poems of Robert Louis Stevenson's "A Child's Garden of Verses" throughout the narrative, which serve as a commentary and counterpoint to the violent proceedings. "The Harvest Man" is a tour-de-force, and may be Grecian's best installment yet in a series that has become a must-read for fans of police procedurals set in Victorian England.

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Sunday 3 March 2013

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Performing Beauty in Participatory Art and Culture (Routledge Advances in Art and Visual Studies) 1st edition

Performing Beauty in Participatory Art and Culture (Routledge Advances in Art and Visual Studies) 1st edition



Performing Beauty in Participatory Art and Culture (Routledge Advances in Art and Visual Studies) 1st edition

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Performing Beauty in Participatory Art and Culture (Routledge Advances in Art and Visual Studies) 1st edition

  • Published on: 1707
  • Binding: Hardcover

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